A Friend Too Long - To be released October 9, 2014
Lac La Belle's third release, "A Friend Too Long", elaborates upon their cohesive duo of resonator guitar, banjo, accordion and ukulele, with the addition of upright bass, pump organ, piano, percussion and strings. Written in a secluded cabin in Michigan's upper peninsula, and recorded in their Detroit home during the snowiest winter on record, "A Friend Too Long" provides beautiful soundscapes and a journey of characters that sound at once both new, and reminiscent of days long past.
Recording "A Friend Too Long"
Photo series by Riva Sayegh-McCullen and Chris McCullen
Silver Dagger - Live at Folkadelphia
Leave That Country - 2010
Around the World - Live on Woodsongs Old Time Radio Hour 2012
New Memories of Oklahoma live at Trinity House 2012
Lac La Belle is an acoustic duo from Detroit, Michigan, made up of multi-instrumentalists and songwriters Jennie Knaggs & Nick Schillace. Influenced by early Americana, the music of Lac La Belle seamlessly blends history with the present, to create stories that capture the human experience. Lac La Belle offer it with expertise, via accordion, mandolin, banjo, ukulele, harmonizing vocals, and fingerpicking resonator guitar.
What sets this acoustic duo apart is their utilization of their varied experiences; Schillace has a separate career performing his instrumental guitar pieces, and he wrote the first academic work on the recordings of John Fahey; Knaggs has history with New Music compositions and improvisations, including her vocal work in Matthew Barney’s film “River of Fundament”. This with their separate experiences learning folk and blues in Appalachia, American roots binds the duo’s compositions with a heavy thread.
With the release of their third album, "A Friend Too Long", (October 2014), Lac La Belle elaborate upon their cohesive duo, with the addition of upright bass, pump organ, piano, percussion and strings. Written in a secluded cabin in Michigan's upper peninsula, and recorded in their Detroit home during the snowiest winter on record, "A Friend Too Long" animates the lives of fictional characters grappling with the tensions between the urban and the rural, the individual and the community, economic decay and the land of plenty.
The group has completed six tours of the mid-west, south and east, and has completed two European tours in 2012, 2013, with a third slated for 2015. Their performance styles vary to the venue, often including their arrangements of old time, 1920’s western swing, Dixieland, folk and blues tunes.
Notable appearances include
Hiawatha Festival (Marquette, MI)
Ann Arbor Summer Festival, (Ann Arbor, MI)
Showcase artist Folk Alliance Mid West (FARM) (St. Louis, MO)
Woodsongs Old Time Radio Hour broadcast (Lexington, KY)
Dally in the Alley, (Detroit MI);
Whofest (Chattanooga, TN),
The Chicago Calling Festival (Chicago, IL)
The Avant Fairfax Festival (Fairfax, VA)
American Autumn series (Orense, Spain)
JENNIE KNAGGS mined folk music first hand, meeting and playing with musicians of Central and Southern Appalachia during her course of travel and advocacy work in the region. She is the 2000 Hollerin’ Champion of Wise Co., Virginia and Letcher Co., Kentucky, has studied opera and has toured Europe in various vocal ensembles, including a residency in Labro, Italy in 2011. She continues to sing with the fifteen piece Odu Afrobeat Orchestra, composes and performs in a microtonal duo with pianist Clem Fortuna, and teaches voice privately and in workshops. Knaggs is the principal vocalist in Matthew Barney and Jonathan Bepler’s new film, “River of Fundament”, which features several of her original compositions, including “The Hovering of the Khu” and “The Ballad of the Bullfighter”.
NICK SCHILLACE is recognized as a solo instrumentalist who has contributed to the American Primitive guitar canon with his releases Box Canyon (2005) and Landscape and People (2008.) Raised by folk and blues enthusiasts, he acquired early training at Augusta Heritage in Elkins, West Virginia. Other recent work includes tenor guitar in Odu Afrobeat Orchestra, and tenor banjo in the Dixieland group Detroit Pleasure Society. Schillace has toured and performed with other fingerpicking greats, including Bert Jansch, Peter Lang, Jack Rose, Peter Walker, Keenan Lawler, Eric Carbonara and Glenn Jones. Considered an authority on early 20th century American fingerpicking guitar styles, Nick is sought after as an instructor both privately and in workshop settings, and is the owner of Orion Music Studio in Lake Orion, Michigan.
ALBUM RELEASE PARTY
Saturday, November 8th, 2014
3546 Michigan Ave, Detroit
(west of Corktown, East of Grand Blvd)
with special guests Matt Jones & Misty Lyn, Behind The Times, The Webbs
Featuring a photography exhibit by Garrett MacLean, Riva Sayegh, TorriLynn, Elise Mesner
doors 7pm, music 7:30
Saturday, December 6th, 2014
42nd Annual Noel Night
4620 Cass Ave, Detroit, MI
Friday, December 12th, 2014
Trinity House Theatre
38840 W. Six Mile, Livonia, MI
Sunday, January 25th, 2015
121 North Bridge St, Bellaire, MI
Wednesday, February 4th, 2015
On the Tracks Songwriter Showcase
125 Jackson St, Chelsea, MI
$15 Suggested Donation
Doors 6:30pm, Showtime 7pm
Reviews of Bring on the Light, 2012
"The thirteen songs represent heartfelt, lyrical displays of good'ol folk music with splendid picking, plucking, and strumming . . . Fans of Appalachian folk music, Americana, and old time music will love the music of Lac La Belle." - Matthew Forss, Inside World Music
“This is a wonderful nu-folk duo that knows how to shake off the dust and the stigma to serve up an incredibly hot session that leaves you looking forward to the next one. Well done. - Midwest Record
“[Thier] songs are odes to transition and modern values . . . [Marrying] traditional styles with more ethereal, contemplative musical passages. - Heather Longley, Centre Daily Times
"You can practically hear the bare walls resonating on each cut as Knaggs and Schillace swing into action, heating up the room with vivacity or chilling it back down in backwoods lament...There is indeed a modernistic ring to the affair, but the depth of resonance with the past is blood deep and highly impressive..." - Mark S. Tucker, Folk & Acoustic Music Exchange
Reviews of Lac La Belle, 2010
“[Lac La Belle]...play old-school swinging Western, country and backwoods Americana. Comprised of Detroit's most talented musicians multi-instrumentalist and music aficionado Nick Schillace and the owner of that sweet and plaintive warble, Jennie Knaggs Lac La Belle play pitch-perfect originals in synch with the old-timey classics that are also included in their repertoire.” - Megan ONeal, Detroit Metro Times
"[Lac La Belle's] old-timey revival music is distinctive in that, rather than providing a contemporary twist on music using throwback instrumentation, the band's sound is straight out of early Americana. Knaggs provides warbling vocals and yodels, and her backing band -- Nick Schillace and Joel Peterson, both well-known musicians in their own right -- holds down a startlingly authentic old-time country sound."
- Andy Mulkerin, Pittsburgh City Paper
“Detroit, where the garage rock and noise groups go to breed, is not known for its Americana, folk or country music, but maybe it should be. Lac La Belle’s 10-song collection is fun, it's real, it's a little technical, and gets to the core of American music.” - Josh Humphries, The Daily Reflector , Greenville NC
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A FRIEND TOO LONG - 2014- Lac La Belle's third release, " A Friend Too Long", elaborates upon their cohesive duo of resonator guitar, banjo, accordion and ukulele, with the addition of upright bass, pump organ, piano, percussion and strings. Written in a secluded cabin in Michigan's upper peninsula, and recorded in their Detroit home during the snowiest winter on record, "A Friend Too Long" provides beautiful soundscapes and a journey of characters that sound at once both new, and reminiscent of days long past.
BRING ON THE LIGHT - 2012 - Their second release, as a duo, boasts twelve original works and one traditional arrangement, performed with a variety of instruments from accordion to banjitar. Each song presents a melodic tale, be it an intimate anecdote, or stories on their hometown Detroit, “Bring on the Light” captures the drifting spirit of early America.